Lois Weber began film work as an actress, then soon began also writing and directing films. She has been referred to as "the most important female director the American film industry has known". Best known for her hard-hitting films that address social issues, she continued making films into the 1920s until she lost favor with motion picture audiences.
No. | Year | Title | Role | Vote Average |
---|---|---|---|---|
1 | 1911 | The Tavern Keeper's Daughter | 0 | |
2 | 1911 | Aratus' Wife | 0 | |
3 | 1911 | The Twin Sisters | 45 | |
4 | 1911 | Tess | 100 | |
5 | 1911 | Flora Brown | 0 | |
6 | 1911 | Mrs. Brown | 0 | |
7 | 1911 | Grace - The Wife | 0 | |
8 | 1911 | Ann | 55 | |
9 | 1912 | The Artist's Model | 0 | |
10 | 1912 | The Millionaire's Wife | 0 | |
11 | 1912 | 0 | ||
12 | 1913 | 0 | ||
13 | 1913 | The Soldier's Sweetheart | 75 | |
14 | 1913 | The Wife | 71 | |
15 | 1913 | The Maid | 56 | |
16 | 1913 | Leah - Isaac's Daughter | 0 | |
17 | 1914 | Portia | 0 | |
18 | 1914 | Madame DuBarr | 0 | |
19 | 1914 | Diana Grave | 0 | |
20 | 1914 | Summer Girl | 0 | |
21 | 1914 | Mrs. Moore | 0 | |
22 | 1915 | Sunshine Molly | 0 | |
23 | 1915 | Daisy Dean | 0 | |
24 | 1916 | Lydia Jansen | 0 | |
25 | 1916 | Renie | 0 | |
26 | 1916 | Anne | 50 | |
27 | 1917 | 0 | ||
28 | 1917 | Mrs. Broome | 0 | |
29 | 2014 | Self | 0 | |
30 | 2016 | Self (archive footage) | 70 |
No. | Year | Title | Role | Vote Average |
---|---|---|---|---|
1 | No Data | No Data | No Data | No Data |